@article { author = {Darwish Manesh, Kazhal}, title = {Review of Common Plant Designs in the Inscribed Monuments of Hasanlu, Ziviyeh, Qlaychy and Rabat 2 and their Relationship with Assyrian Art}, journal = {Journal of Fine Arts: Visual Arts}, volume = {21}, number = {2}, pages = {15-26}, year = {2016}, publisher = {University of Tehran College of Fine Arts}, issn = {2228-6039}, eissn = {2538-5178}, doi = {10.22059/jfava.2016.59640}, abstract = {The inscribed monument belonged to ancient times can be regarded us a documents to study the thoughts ,ideas ,cultural and communication arts of ancient civilizations Ziwiye, Hasanlu, Qaychi and rabat2 areas belong to Iron age and Mannea era, in wich many inscribed monuments have been obtained. The discovery of many inscribed monuments show the importance of these art works, stencils and were used as both decorative element and inhabitation of the concepts and the ancient man behavior and concepts.  These area located in contemporary neighbor geographic area, have inscribes with similar concepts, in wich show the cultural. Communications and impacts of   them with each other. the research that has been done before, the role of the regions studied have been studied individually and mutually, Therefore, due to the proximity of the region to coincide in time and belong to the same cultural area and even the same cultural and artistic relationship with Assyria, Is necessary that the common motifs of plants in all four regions studied considering the Assyrian samples are compared. The aim of this paper is to identify common themes and similar designs in the works Mannaeans areas and Assyria and identify the commonalities and similarities and impact of designs of these areas are normal to each other and their relationship with   Assyrian art. the main issue in this article is that common patterns of plant works Mannaeans areas which roles are and whether these designs with their Assyrian art? so this research investigates the designs and inscribes with plants common themes in the resulting works from Mannaeans areas, as comparative one. In addition, the neighbor of these areas is effective on the created motifs in the mentioned areas. the plant common inscribed monuments in these areas include lotus,rosette, palm tree and tree of life. Regarded as holy and holiness aspect in the beliefs of ancient time area. these two motifs had application and impact in all the studied area. Some inscribed monuments have similarity with Assyrian ones and some inscribed monuments have been applied with some change in design. this result was obtained in samples, that adjacent and synchronization with the Assyr during the wars between Mannaeans and Assyrian and  their  political and cultural communication together , caused to create  the common themes and similar designs motifs in the regions studied. Assyrian art has a different impact on different sample designs. for example Lotus flower and bud of the example of the side view of Ziviyeh ornamentsare influenced by the role on a piece of ivory from the Assyrian period. In some cases, such as sacred trees Ziviyeh on ivory plaques, the overall design motifs, influenced by the Assyrian.  this research aim is to recognize the subscribes with common and similar themes in Mannaeans areas and Assyr to clarify the common themes, similarities, the impacts of subscribes on each other. In this research, by means of library resource and also the existed samples in the museum by analytical- descriptive method, these subscribes monuments is compared.  }, keywords = {Plant Subscribes,Hasanlu,Ziwieh,Qalaychi,Mannaeans,Assyrian art}, title_fa = {بررسی نقوش گیاهی مشترک درآثارمنقوش حسنلو، زیویه، قلایچی، ربط2 و ارتباط آنها با هنر آشور}, abstract_fa = {آثار منقوشِ دوران باستان می­توانند سندی برای بررسی افکار و ارتباطات هنری و فرهنگیِ تمدن­های گذشته باشند. مناطق حسنلو، زیویه، قلایچی و ربط 2، متعلق به دوران ماننایی هستند. تعداد زیادی آثار منقوش از  این مناطق به دست آمده که در آنها، « نقش» به عنوان عنصری جهت تزیین  یا  برای نمایش مفاهیمی خاص به کار رفته است. این مناطق با قرارگرفتن در یک ناحیه­ی هم­جوار، دارای نقوشی با مضامین مشترک و مشابه هستند که تاثیرات و تبادلات فرهنگی را نشان می­دهند. یکی از انواع این نقوش مشترک، نقوش گیاهی هستند. دراین مقاله، مسئله­ی تحقیق این است که  نقوش مشترک گیاهی درآثارهنری مناطق ماننایی کدام نقش­ها هستند؟ و آیا این نقوش ارتباطی با هنر آشور دارند؟ بنابراین مقاله درپی آن است با  یافتن نقوش گیاهی مشترک در آثار ماننایی و بررسی آنها به صورت تطبیقی - تشابهی، به بررسی همان نقوش در هنرآشور نیز بپردازد. نقوش «لوتوس» و «درخت زندگی»، نقوش مشترک گیاهی در این مناطق هستند. برخی از این نقوش با نمونه­ی آشوری شباهت دارند و دربرخی نقوش، تغییراتی مشاهده می­شود. این پژوهش با استفاده از منابع کتابخانه­ای و نمونه­های موجود در موزه­ها، با روش توصیفی- تحلیلی به مقایسه و بررسی نقوش پرداخته است.}, keywords_fa = {نقوش‌گیاهی,حسنلو,زیویه,قلایچی,ماننایی,آشور}, url = {https://jfava.ut.ac.ir/article_59640.html}, eprint = {https://jfava.ut.ac.ir/article_59640_079a8bfdf38d630a921ba2b42b1409be.pdf} }