@article { author = {sharifkazemi, khadijeh and mohamadian, fakhredin and Mosavi Haji, Seyyed rasool}, title = {The study design style geometric motifs in medieval Islam potteries}, journal = {Journal of Fine Arts: Visual Arts}, volume = {22}, number = {4}, pages = {87-100}, year = {2017}, publisher = {University of Tehran College of Fine Arts}, issn = {2228-6039}, eissn = {2538-5178}, doi = {10.22059/jfava.2017.64030}, abstract = {Works of art, from various aspects, has always been of interest to researchers. Painted pottery, the art has long been a symbol of the survival of humanity, has been raised. Functional objects decorated with various ornaments, has a special place. From the past to the present, the use of geometric patterns, especially in architectural decoration, decorative arts, pottery, etc. are common. Pottery designs, many of which have been dealt with geometric designs always reflect the views, symbolic and cultural ties have been at different times. The sublime art of geometry is a great place, because it could indirectly forms, revealing Islamic concepts. In fact, these factors led to a profound link between the various fields of art including pottery and geometry. Leading research intends to investigate the role of geometric analysis and visual elements of medieval pottery, to the geometry of the designs achieve. This study uses data from the study of visual motifs typical of pottery art collections and library resources of Indonesia, has been done. The results show that, Geometric designs on pottery used in this collection represent the diversity and accuracy in the order of their geometric and symbolization it also designs and plans, to be assessed Mathematical Science and Trigonometrie. Geometric shapes and lines used in these designs are symmetrical and repetitive geometric patterns, particularly visual composition and also using a specific color coordination are significant. Leading research intends to investigate the role of geometric analysis and visual elements of medieval pottery, to the geometry of the designs achieve. This study uses data from the study of visual motifs typical of pottery art collections and library resources of Indonesia, has been done. The results show that, Geometric designs on pottery used in this collection represent the diversity and accuracy in the order of their geometric and symbolization it also designs and plans, to be assessed Mathematical Science and Trigonometrie. Geometric shapes and lines used in these designs are symmetrical and repetitive geometric patterns, particularly visual composition and also using a specific color coordination are significant Leading research intends to investigate the role of geometric analysis and visual elements of medieval pottery, to the geometry of the designs achieve. This study uses data from the study of visual motifs typical of pottery art collections and library resources of Indonesia, has been done. The results show that, Geometric designs on pottery used in this collection represent the diversity and accuracy in the order of their geometric and symbolization it also designs and plans, to be assessed Mathematical Science and Trigonometrie. Geometric shapes and lines used in these designs are symmetrical and repetitive geometric patterns, particularly visual composition and also using a specific color coordination are significant Leading research intends to investigate the role of geometric analysis and visual elements of medieval pottery,visual composition and also using a specific color coordination are significantvisual elements of medieval pottery,visual composition and also using a specific color coordination are significant}, keywords = {Geometric,Designs,Pottery,symbolismو medieval Islamic}, title_fa = {مطالعه نقش‌مایه‌های هندسی در سفالینه‌های دوران میانی اسلام}, abstract_fa = {آثار هنری ایران،از جنبه‌های گوناگون همواره مورد توجه پژوهشگران قرار گرفته ‌است. سفالینه‌های منقوش از دیرباز به عنوان نمادی از هنر ماندگار انسان، مطرح بوده است. از گذشته تا به حال به‌کارگیری هنرهای تزیینی به‌ویژه نقوش هندسی در تزیینات معماری، سفالگری و... امری رایج بوده است. نقوش سفالینه‌ها که بسیاری از آنها با نقش‌مایه‌های هندسی پرداخته شده‌اند، همواره بیانگر دیدگاه‌ها، مفاهیم نمادین و ارتباطات فرهنگی جوامع در ادوار مختلف بوده است. در هنر متعالی اسلامی هندسه جایگاه والایی دارد چراکه اشکال آن می‌توانست بصورت غیرمستقیم تجلی‌گاه مفاهیم اسلامی باشد. در واقع این عامل سبب ایجادپیوندی عمیق میان عرصه‌های مختلف هنری ازجمله هنر سفالگری و علم هندسه شد. پژوهش پیش‌رو در نظر دارد با مطالعه، بررسی و تحلیل عناصر بصری نقش‌مایه‌های هندسی سفالینه‌های دوران میانی اسلامی، به چگونگی ساختار هندسی این نقوش دست یابد. این پژوهش با استفاده از مطالعه داده‌های بصری نمونه نقوش موجود در سفالینه‌های‌ مجموعه‌های هنری و همچنین یافته‌اندوزی منابع کتابخانه‌ای صورت پذیرفته‌است. نتایج مطالعات حاکی از آن است که نقوش هندسی به‌کار رفته بر روی سفالینه‌های این مجموعه‌ها، نشانگر استفاده از تنوع و دقت در نظم هندسی و نمادپردازی در آنها بوده و طرح این نقوش نیز، با علوم ریاضی و مثلثات قابل ارزیابی‌ است.}, keywords_fa = {نقوش,هندسی,ظروف سفالی,نمادپردازی,دوران میانه اسلامی}, url = {https://jfava.ut.ac.ir/article_64030.html}, eprint = {https://jfava.ut.ac.ir/article_64030_88d087f2a80d52870820585f2b080632.pdf} }