موسسه انتشارات دانشگاه تهران نشریه هنرهای زیبا: هنرهای تجسمی 2228-6039 27 2 2022 07 23 Investigating the Intrinsic Aspects of Design from the Perspective of Researchers in the Field of Design Thinking بررسی جنبه های ذاتی طراحی از منظر پژوهشگران حوزه تفکر طراحی 93 101 87607 10.22059/jfava.2021.322422.666682 FA سمیرا اشعری دانشجوی دکترای طراحی صنعتی، گروه طراحی صنعتی، دانشکده طراحی اسلامی، دانشگاه هنر اسلامی تبریز، تبریز، ایران. حسن نائینی عضو هیئت علمی گروه طراحی صنعتی، استادیار دانشکده معماری و شهرسازی، دانشگاه علم وصنعت Journal Article 2021 04 24 Design with the aim of changing the world is a creative and systematic process and has different stages with a clear, orderly and relational sequence. Design thinking, which has long been the subject of discussion by design researchers, is a set of internal and external concepts and aspects that are used by designers in the design process. Therefore, it is important to conduct research that examines the design thinking style and creates a good understanding of it. During the studies conducted in this research in the field of design thinking, the necessity of addressing the theories of thinkers in this field about the intrinsic aspects of design has been realized. The purpose of this research is to achieve the most important intrinsic and internal aspects of design that are considered by prominent researchers in the field of design thinking, which is descriptive and based on studies and studies conducted in the research and writings of these five prominent designers in the field of design thinking. They have mostly worked in this field and the book of design encyclopedia has been done with a qualitative approach and has been done by desk-based study. After a preliminary study of the text of the researches and writings of the selected researchers, and achieving the intrinsic and internal aspects of the design expressed by them, this study examines the level of attention of each researcher that has paid to this aspect. Therefore, from this perspective, it is a kind of theoretical study and content analysis and is based on the study and inference of topics from data. The results show that researchers have pointed to seventeen inherent aspects of design in their studies, of which Brian Lawson and Nigel Cross have done the most. Also, the most attention of researchers has been paid to the intrinsic aspects of “creativity” and “sketch”, respectively, and the least attention of researchers has been paid to the intrinsic aspects of “sudden mental insight” and “schema”. Most researchers have dealt with the aspects of “creativity”, “discovery or discovery”, “intuition” and “unconscious”, respectively, which show the importance of these aspects. Finally, this research is a step to start future studies in order to achieve the way of thinking of designers and provide the best model of design thinking based on the intrinsic and internal aspects of design. Based on the findings of the present study, the question arises: To what extent do they create the product according to the inherent aspects of the design? And whether it is possible to provide a suitable model for the design process according to the most important internal and intrinsic aspects of design for the work creation process? Also, in the continuation of the present study, it is possible to study the in-depth position regarding the content used in each of these intrinsic and internal aspects along with environmental influences and personality traits and use factor analysis methods to expand the results as much as possible. تفکر طراحی که از دیرباز موضوع مورد بحث پژوهشگران حوزه طراحی بوده، مجموعه ای از مفاهیم و جنبه های درونی و بیرونی است که در فرایند طراحی توسط طراحان به کار گرفته می شود. ازاین رو، انجام تحقیقاتی که شیوه تفکر طراحانه را مورد بررسی قرار دهد و شناخت مناسبی از آن پدید آورد، دارای اهمیت می باشد. طی مطالعات صورت گرفته در این پژوهش در زمینه تفکر طراحی، به لزوم پرداختن به نظریه های متفکرین این حوزه درباره جنبه های ذاتی طراحی پی برده شده است. هدف از این پژوهش، دستیابی به مهمترین جنبه های ذاتی و درونی طراحی است که مورد توجه پژوهشگران برجسته حوزه تفکر طراحی می باشد که به روش توصیفی و با رویکرد کیفی و از طریق گردآوری اطلاعات اسنادی (کتابخانه ای) انجام شده است. نتایج حاصل از آن نشان می دهد که پژوهشگران در مطالعات خود به هفده جنبه ذاتی طراحی اشاره کرده اند، که برایان لاوسن و نایجل کراس بیشترین مطالعات را بر روی این جنبه ها انجام داده اند. همچنین بیشترین توجه پژوهشگران به ترتیب به جنبه های ذاتی «خلاقیت» و «اسکیس» و کمترین توجه پژوهشگران به جنبه های ذاتی «بینش ذهنی ناگهانی» و «طرح واره» معطوف شده است. بیشتر پژوهشگران نیز به ترتیب به جنبه های «خلاقیت،» «یافتگری یا کشف،» «شهود» و «ناخودآگاه» پرداخته اند که نشان از اهمیت این جنبه ها دارد.

https://jfava.ut.ac.ir/article_87607_0e9eca24d1a22873afe3f1df4d5a5918.pdf