Keyword Index

A

  • Academic journal The Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
  • Aesthetics Otherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
  • Al-Muzaffar Identification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]
  • Archetype Reflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
  • Art and Globalization Reflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]

B

  • Baqdādi Mosque Identification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]

C

  • Carpet design Aesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
  • Charles Batteux Fine Arts: The Formation of a Concept [Volume 31, Issue 2, 2026, Pages 5-6]
  • Color A Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
  • Color Analysis Soil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
  • Comparative Study A Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
  • Constructivist Grounded Theory Elucidating Indigenous Indicators of Entrepreneurship-Based Design Education in Iran Using Constructivist Grounded Theory [Volume 31, Issue 2, 2026, Pages 91-105]
  • Contemporary Art in the Islamic World Reflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
  • Cutting A Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]

D

  • Designerly way of problem solving Examining the Role of the Three Cognitive Components of Intuition, Abduction and Expertise in the Design Thinking Process [Volume 31, Issue 1, 2026, Pages 9-24]
  • Design Thinking Examining the Role of the Three Cognitive Components of Intuition, Abduction and Expertise in the Design Thinking Process [Volume 31, Issue 1, 2026, Pages 9-24]
  • Divan‑I Kabir Mawlānā's Ontological Encounter with Painting in Selected Verses from the Dīwān-e Kabīr [Volume 31, Issue 1, 2026, Pages 73-85]

E

  • Editor’s Note The Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
  • Entrepreneurial Design Thinking Elucidating Indigenous Indicators of Entrepreneurship-Based Design Education in Iran Using Constructivist Grounded Theory [Volume 31, Issue 2, 2026, Pages 91-105]
  • Entrepreneurial mindset Elucidating Indigenous Indicators of Entrepreneurship-Based Design Education in Iran Using Constructivist Grounded Theory [Volume 31, Issue 2, 2026, Pages 91-105]

F

  • Fine arts The Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
  • Fine arts Fine Arts: The Formation of a Concept [Volume 31, Issue 2, 2026, Pages 5-6]
  • Floral motifs Identification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]

G

  • Ghazaliat‑e‑Shams Mawlānā's Ontological Encounter with Painting in Selected Verses from the Dīwān-e Kabīr [Volume 31, Issue 1, 2026, Pages 73-85]

I

  • Identity Reflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
  • Identity A Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
  • Ilkhanid A Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
  • Iranian art Soil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
  • Iranian illustration A Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]
  • Iranian Landscape Photography A Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
  • Islamic-Geometric Patterns The Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
  • Islamic Paintings Mawlānā's Ontological Encounter with Painting in Selected Verses from the Dīwān-e Kabīr [Volume 31, Issue 1, 2026, Pages 73-85]

J

  • Jalayerids Aesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
  • Jung Reflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]

K

  • Kant Otherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]

L

  • Light Installation The Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
  • Lived Experience The Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]

M

  • Mahmoud Farshchian Reflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
  • Manuscript illustration Aesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
  • Melody of Affection painting Reflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
  • Merleau-Ponty The Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
  • Mihrāb Identification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]
  • Miniatures of the Herat School Soil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
  • Minority Art Reflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
  • Mosaic A Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
  • Muftah al-Abwab Ḥarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
  • Muzaffarid A Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
  • Mythology Reflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]

N

  • Nezami’s Haft Paykar Ḥarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
  • Nietzsche Otherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
  • Northern European Landscape Photography A Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]

O

  • Otherness Otherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]

P

  • Persian Carpets Aesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]

Q

  • Quayum Agha The Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]

R

  • Rustam A Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]

S

  • Safavid Ḥarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
  • Schopenhauer Otherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
  • Shahnama of Tahmasp A Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]
  • Soil Tones Soil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
  • Space The Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
  • SWARA method Analysis and Prioritization of the Factors Underlying the Acceptance of Technology by Healthy Iranian Elderly People [Volume 31, Issue 1, 2026, Pages 117-133]

T

  • Tilework A Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
  • Timurid and Turkmen eras Ḥarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
  • Transtextuality A Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]

U

  • University of Tehran The Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
  • User An Essay in the Computer Art User Theme as a Role Beyond the Audience in Dominic McIver Lopes’s Approach [Volume 31, Issue 2, 2026, Pages 7-18]

V

  • Visual Arts The Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]

W

  • White Dome Ḥarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]