ANALYSIS OF WRITTEN THE COMMUNICATIONS IN AREA OF ARTISTIC EXPRESSION

The process that forms during writing is under an Important principle and according to abstract form of alphabet and their composition. This principle is called writing system. Therefore, writing is accounted an artistic work. Cognitive it is important in different dimension view, because of man abstract view point that has led emergence of communication system. This paper for cognitive analysis of written communications in area of artistic expression, tries to explore theories of scientist in field of visual communication and interaction between visual infrastructure of writing and script. Noting to this point that constructive elements of written work don’t have the principle that are dominant on symbols, the most suitable analysis method is Semiotic. The first chapter of this article on the strength of different scientists, ideas, studies about the written communications. In the second and third chapters, different methods of recognizing of written the communications in area of artistic expression are all offered. Finding of this project shows that, there is different style and structure that in studying written communication led to analysis based on artistic standards. Therefore, in the fourth chapter of this article, we analysis case study of one writing system of Cursive Nastaliq calligraphy and method of comparing the measure dominant on structure of Cursive Nastaliq. It means we studied the principles and style in out standing manuscript of Cursive Nastaliq. For cohesive classification and summing up the information and analysis of artcle the outcomes are presented in form of tables and charts. Data and common aspects and different basic measure and typical measure in this penmanship are known and compared. According to this tables that are provided base on statistical principles, we can say that the degree of using common principle in calligraphy of known style in manuscript of Cursive Nastaliq is between eighty – eighty four. Therfore, written of communications in Cursive Nastaliq should be outcome of interaction of principle dominant on persian calligraphy and visual communication. We have used one approach of semiotic for for cognition of effective factors on formation of written the communications. To do so, we have studied many sources and of consistency is down by fined internal method and for commonness assessment we studied internal conformity between common material. We aim by introducing characteristics of Cursive Nastaliq and comparing them, explore the interaction between principles and styles of artistic expression. This article tries to offer the rules as a system in the field of visual communication and explaning one of the authors methods wich has based on this research and has been performed. The analysis of written the communications in area of artistic expression not only facilities the identification and development of artistic schools, but also it identifies the unknown hidden aspects of the arena. The important of this issue will lead to expansion of written literature in field of visual arts, calligraphy, especially visual communication.