Joel-peter witkin's photographs and collective unconscious

Document Type : Research Paper

Authors

1 Photography department, faculty of visual arts, art university, tehran, iran

2 photography department, faculty of visual arts, art university, tehran, iran

Abstract

Joel-peter witkin is an American contemporary staged photographer whose photographs of dead or deformed bodies, androgynous people and other controversial subjects in addition to strange stories about his life usually draw analyzers attention to his personal life and they have written psychoanalytic texts about his works based on Freudian method of psychoanalyzing. But in this paper the purpose is to overrule this kind of analyzes and based on Jungian method of psychoanalyzing this study is to experiment this hypothesis that: the reason of repeating some motifs in witkin's photographs has a root in collective unconscious mind not personal unconscious mind and childhood memories or complexes. Myths are the most important representations of collective unconsciousness so if the hypothesis is true there should be similarity and relation between witkin's repetitive motifs and a mythic creation, story or theme. In this paper at first repetitive motifs in his photographs has been realized and their connotative or metaphorical meaning has been studied and considering other artists works and the other external circumstacens the motifs which are coming from his unconscious mind not under the influence of circumstances have been identified. study showed that motifs which are unconsciously repeating in wiitkin's photos are: binary contrast of live-death , male-female, unraveling of unknowns(breaking the taboo) and sadomasochistic acts(enjoying pain). then the myths which are represented obviously in witkin's photos has been analyzed to find out what is the relation between them and repetitive motifs. study showed that witkin selected some myths to take photos which are completely aligned with repetitive motifs and in some cases he wasn’t careful to represent them in their correct mythical theme he changed anything to make his own interpretation of them. At last based on discovered information and by putting repetitive motifs together a mythic story has been found. Putting repetitive motifs together a network of mythic creatures has been represented: Hermes; a mythical androgynous creature who guide souls to the underground world(death world) and is also prophet and transfer messages between gods, and Hermes son; Pan, which is a mythical creature who enjoy sadistic sexual behavior and intimidating people, and Hades; the god of the underground world who is in relation with hermes and they meet each other. so In conclusion not only the hypothesis has confirmed but also by comparing some Freudian psychoanalytic interpretations of repetitive motifs in witkin's works and mythical interpretations of them a new point of view presented. For instance fragmented bodies in his photographs were interpreted by Freudian analyzer related to his childhood memory of an accident in which he witnessed the cut off head of a little girl. But this study showed that dead bodies in pieces are always represent with fruits and herbs so the motif changed to binary contrast of live and death which is similar to Hades; mythical creature which is the god of the death world but at the same time it is the god of harvest and its sign is a horn of fruits and herbs.

Keywords


بولن، جین شینودا (1388) . نمادهای اسطوره ای روانشناسی مردان . ترجمه مینو پریانی و پرتو پارسی ، نشر آشیان، تهران.
پائولی، لاری(1394).صحنه‌آرایی در عکاسی.ترجمه داریوش و مریم عسگری ، نشر شورآفرین، تهران.
توکلی، سامان (1389). مصاحبه : نگاهی روان کاوانه به عکس های جوئل پیتر ویتکین . فصلنامه عکاسی خلاق ، شماره 23-24 ، تابستان و پاییز 1389، صص 105-  111 .
رحیمی، عباس ( 1387) . زیبایی شناسی مرگ در آثار جوئل پیتر ویتکین . مجله عکس ، شماره 261 ، صص 40- 43.
رنجبر فرشمی، زهرا (1389). روان شناسی ( روان کاوی ) تصویر عکاسانه با توجه به آثار جوئل-پیتر ویتکن . ارشد عکاسی ، دانشکده هنرهای تجسمی ، دانشگاه هنر تهران.
شوالیه ، ژان(1385). فرهنگ نمادها اساطیر ، رؤیاها ، رسوم و ...، جلد 4 ، ترجمه و تحقیق سودابه فضایلی ، انتشارات جیحون، تهران.
شوالیه ، ژان ( 1387) . فرهنگ نمادها اساطیر ، رؤیاها ، رسوم و ...، جلد 5  ، ترجمه و تحقیق سودابه  فضایلی ، انتشارات جیحون ، تهران.
عوض پور ،بهروز؛ محمدی خبازان ، سانیا و سهند ( 1397) . روان اسطوره شناسی : فرهنگ روان رنجوری‌های اسطوره‌ای ، نشر سخن، تهران.
کمپبل ، جوزف (1384) . قهرمان هزار چهره . ترجمه شادی خسرو پناه ، نشر گل آفتاب، مشهد.
گزگین ، اسماعیل(1397).اسطوره شناسی هنر . انتشارات علمی وفرهنگی، تهران.
محمدی ، آرام (1386). بعد از تصویر : بررسی مفهوم فراتصویر در عکاسی پست مدرن . ارشد عکاسی ، دانشکده هنرهای تجسمی ، دانشگاه هنر تهران.
مورا ، ژیل ( 1389) . کلمات عکاسی. ترجمه حسن خوبدل و کریم متقی ،حرفه نویسنده، تهران.
ناکلین، لیندا ( 1385) . بدن تکه تکه شده : قطعه به مثابه استعاره ای از مدرنیته. ترجمه مجید اخگر،حرفه هنرمند، تهران.
نوریان، هوتن(1388).عکاسی صحنه‌آرایی شده‌ی معاصر ایران . کارشناسی ارشد عکاسی ، دانشکده هنرهای تجسمی، دانشگاه هنر تهران.
وارنر، رکس(1389) . دانشنامه اساطیر جهان، ترجمه ابوالقاسم اسماعیل پورمطلق، نشر اسطوره، تهران.
ولز، لیز(1390) عکاسی درآمدی انتقادی . ترجمه سولماز ختایی لر ویدا قدسی رائی مهران مهاجر محمد نبوی ، انتشارات مینوی خرد، تهران.
ون درن کوک، فرانک ( 1395) عکاسی نمایی از مدرنیسم. ترجمه غلامحسین فتح الله نوری،حرفه هنرمند،تهران.
یونگ، کارل گوستاو (1390) روانشناسی و کیمیاگری. ترجمه پروین فرامرزی ، انتشارات آستان قدس رضوی، مشهد.
Metaxatos , Despina ( 2004) . the spiritual body : regression and redemption in the work of joel peter witkin . master of fine arts ,school of architecture and fine arts ,  the university of western Australia.
Millett ,ann(2008).performing amputation : the photographs of joel-peter witkin , Text and performance quarterly, volume 28 issue 1, 8 (January 2008), pp 8-42.
Olguin , Salvador(2012). Beyond horror : taking pictures of dead in mexico . revista sans soleil-estudios de imagen , no 4 , 2012 , p 182-195.
Van deren coke , frank(1985) . introduction joel peter witkin forty photograph . San Francisco Museum of Modern Art.
Witkin , joel-peter( 1997) . Danse Macabre . Aperture , no 149 , fall 1997 , pp 36-39.