Academic journalThe Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
AestheticsOtherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
Al-MuzaffarIdentification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]
ArchetypeReflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
Art and GlobalizationReflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
B
Baqdādi MosqueIdentification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]
C
Carpet designAesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
Charles BatteuxFine Arts: The Formation of a Concept [Volume 31, Issue 2, 2026, Pages 5-6]
ColorA Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
Color AnalysisSoil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
Comparative StudyA Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
Constructivist Grounded TheoryElucidating Indigenous Indicators of Entrepreneurship-Based Design Education in Iran Using Constructivist Grounded Theory [Volume 31, Issue 2, 2026, Pages 91-105]
Contemporary Art in the Islamic WorldReflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
CuttingA Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
D
Designerly way of problem solvingExamining the Role of the Three Cognitive Components of Intuition, Abduction and Expertise in the Design Thinking Process [Volume 31, Issue 1, 2026, Pages 9-24]
Design ThinkingExamining the Role of the Three Cognitive Components of Intuition, Abduction and Expertise in the Design Thinking Process [Volume 31, Issue 1, 2026, Pages 9-24]
Divan‑I KabirMawlānā's Ontological Encounter with Painting in Selected Verses from the Dīwān-e Kabīr [Volume 31, Issue 1, 2026, Pages 73-85]
E
Editor’s NoteThe Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
Entrepreneurial Design ThinkingElucidating Indigenous Indicators of Entrepreneurship-Based Design Education in Iran Using Constructivist Grounded Theory [Volume 31, Issue 2, 2026, Pages 91-105]
Entrepreneurial mindsetElucidating Indigenous Indicators of Entrepreneurship-Based Design Education in Iran Using Constructivist Grounded Theory [Volume 31, Issue 2, 2026, Pages 91-105]
F
Fine artsThe Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
Fine artsFine Arts: The Formation of a Concept [Volume 31, Issue 2, 2026, Pages 5-6]
Floral motifsIdentification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]
G
Ghazaliat‑e‑ShamsMawlānā's Ontological Encounter with Painting in Selected Verses from the Dīwān-e Kabīr [Volume 31, Issue 1, 2026, Pages 73-85]
I
IdentityReflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
IdentityA Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
IlkhanidA Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
Iranian artSoil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
Iranian illustrationA Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]
Iranian Landscape PhotographyA Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
Islamic-Geometric PatternsThe Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
Islamic PaintingsMawlānā's Ontological Encounter with Painting in Selected Verses from the Dīwān-e Kabīr [Volume 31, Issue 1, 2026, Pages 73-85]
J
JalayeridsAesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
JungReflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
K
KantOtherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
L
Light InstallationThe Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
Lived ExperienceThe Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
M
Mahmoud FarshchianReflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
Manuscript illustrationAesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
Melody of Affection paintingReflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
Merleau-PontyThe Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
MihrābIdentification of Motifs and Inscriptions on the Stone Mihrābs of the Baqdādi Mosque in Shīrāz [Volume 31, Issue 2, 2026, Pages 19-30]
Miniatures of the Herat SchoolSoil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
Minority ArtReflection of Traditional Elements in Contemporary Visual Arts, Based on the Discourse of Globalization and Cultural Amalgamation, with Emphasis on the Reinterpretation of The Carpet Pattern [Volume 31, Issue 1, 2026, Pages 57-71]
MosaicA Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
Muftah al-AbwabḤarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
MuzaffaridA Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
MythologyReflection of the Archetype of the Harp-Playing Woman in Mahmoud Farshchian’s Melody of Affection: A Jungian Approach [Volume 31, Issue 2, 2026, Pages 59-76]
N
Nezami’s Haft PaykarḤarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
NietzscheOtherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
Northern European Landscape PhotographyA Comparative Study of Identity in Contemporary Landscape Photography of Iran and Northern Europe (Based on Max Weber's Ideal Type) [Volume 31, Issue 2, 2026, Pages 77-89]
O
OthernessOtherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
P
Persian CarpetsAesthetic Analysis of Carpet Designs in Illustrated Manuscripts of the Jalayerid Period (737–814 AH) [Volume 31, Issue 1, 2026, Pages 25-44]
Q
Quayum AghaThe Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
R
RustamA Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]
S
SafavidḤarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
SchopenhauerOtherness and Modern Art: Insights from Kant, Schopenhauer and Nietzsche [Volume 31, Issue 1, 2026, Pages 45-55]
Shahnama of TahmaspA Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]
Soil TonesSoil and its Visual Preference in Iranian Artworks: Color Analysis in the Miniatures of the Herat School [Volume 31, Issue 2, 2026, Pages 47-58]
SpaceThe Lived Experience of the Audience Facing the Light Installations of Anila Quayyum Agha [Volume 31, Issue 1, 2026, Pages 105-116]
SWARA methodAnalysis and Prioritization of the Factors Underlying the Acceptance of Technology by Healthy Iranian Elderly People [Volume 31, Issue 1, 2026, Pages 117-133]
T
TileworkA Study of Tile-cutting (Kāshī-Tarāsh) in the Ilkhanid Period and its Successors [Volume 31, Issue 2, 2026, Pages 107-127]
Timurid and Turkmen erasḤarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]
TranstextualityA Transtextual Reading of the Credibility of the Myth of Rustam in the Shahnama of Tahmasp: From Wisdom to Filicide [Volume 31, Issue 1, 2026, Pages 87-103]
U
University of TehranThe Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
UserAn Essay in the Computer Art User Theme as a Role Beyond the Audience in Dominic McIver Lopes’s Approach [Volume 31, Issue 2, 2026, Pages 7-18]
V
Visual ArtsThe Philosophical and Aesthetic Dimensions of Visual Arts [Volume 31, Issue 1, 2026, Pages 7-8]
W
White DomeḤarīm and Ḥaram in the Text and Miniatures of the White Dome in Nezami’s Haft Paykar during the Timurid Period [Volume 31, Issue 2, 2026, Pages 31-46]