Journal of Fine Arts: Visual Arts

Journal of Fine Arts: Visual Arts

Keyword Index
A
  • Aesthetic Semiotics, Aesthetics and Functionality in Product Design with Emotional Minimalism Approach [Volume 3, Issue 45, 2011, Pages 71-78]
  • Ardashir Babakan Relief Historical and Mythological Contexts in the Visual Foundations of Sassanid Reliefs (Case Study: Ardashir Babakan Relief in Naqsh-e Rustam) [Volume 3, Issue 46, 2011, Pages 55-66]
  • Art Work Space Historical and Mythological Contexts in the Visual Foundations of Sassanid Reliefs (Case Study: Ardashir Babakan Relief in Naqsh-e Rustam) [Volume 3, Issue 46, 2011, Pages 55-66]
B
  • Brocade THE HUMANE FIGURES ON THE BOUID’s & SALJUK’s SILK FABRICS [Volume 3, Issue 46, 2011, Pages 47-54]
C
  • Comparative Study Comparative and Laboratory Study of the Parthian – Sassanid textile fragment, from Moghadam Museum of University of Tehran [Volume 3, Issue 45, 2011, Pages 35-44]
  • Connotative Meaning Relationship between variations of “Point of view” and modification of message in visual arts [Volume 3, Issue 46, 2011, Pages 5-14]
D
  • Death of Zahhak Analyzing The Narrative Structure Of “The Death Of Zahhak” ;A Persian Painting; According to Greimas’s Actantial Model. [Volume 3, Issue 45, 2011, Pages 23-34]
  • Design Discipline Research on Basic Concepts of Design Discipline Centering around the theories of four design scholars [Volume 3, Issue 45, 2011, Pages 63-70]
  • Design Practice Research on Basic Concepts of Design Discipline Centering around the theories of four design scholars [Volume 3, Issue 45, 2011, Pages 63-70]
  • Design Studies Research on Basic Concepts of Design Discipline Centering around the theories of four design scholars [Volume 3, Issue 45, 2011, Pages 63-70]
  • Design Theory Research on Basic Concepts of Design Discipline Centering around the theories of four design scholars [Volume 3, Issue 45, 2011, Pages 63-70]
  • Design Thinking EFFECT OF SKETCH IN DESIGN PROCESS [Volume 3, Issue 46, 2011, Pages 75-85]
  • DIBA Diba-ye-Shushtary through writings (Origins, production centers, patterns and their usage) [Volume 3, Issue 45, 2011, Pages 53-62]
E
  • Emotional Semiotics, Aesthetics and Functionality in Product Design with Emotional Minimalism Approach [Volume 3, Issue 45, 2011, Pages 71-78]
  • Emotional design Design based on Emotional Approach Case Study: Designing a device for entertainment [Volume 3, Issue 46, 2011, Pages 67-74]
F
  • Free-Hand Design EFFECT OF SKETCH IN DESIGN PROCESS [Volume 3, Issue 46, 2011, Pages 75-85]
  • Function Semiotics, Aesthetics and Functionality in Product Design with Emotional Minimalism Approach [Volume 3, Issue 45, 2011, Pages 71-78]
G
  • Garjoghy Shahama Paradaz or stripple technique in Persian painting [Volume 3, Issue 45, 2011, Pages 5-12]
  • Greimas Analyzing The Narrative Structure Of “The Death Of Zahhak” ;A Persian Painting; According to Greimas’s Actantial Model. [Volume 3, Issue 45, 2011, Pages 23-34]
H
  • Historical and Mythological Contexts Historical and Mythological Contexts in the Visual Foundations of Sassanid Reliefs (Case Study: Ardashir Babakan Relief in Naqsh-e Rustam) [Volume 3, Issue 46, 2011, Pages 55-66]
I
  • Image Relationship between variations of “Point of view” and modification of message in visual arts [Volume 3, Issue 46, 2011, Pages 5-14]
  • Industrial design Design based on Emotional Approach Case Study: Designing a device for entertainment [Volume 3, Issue 46, 2011, Pages 67-74]
  • Interpretative phenomenological analysis Design based on Emotional Approach Case Study: Designing a device for entertainment [Volume 3, Issue 46, 2011, Pages 67-74]
  • Iranian Carpets Iranian Carpets with non Iranian names [Volume 3, Issue 45, 2011, Pages 45-52]
  • Iranian Ceramic before and after Islam The Study of Sun Image on Iranian Ceramic Dishes [Volume 3, Issue 46, 2011, Pages 23-34]
  • Iranian Patterns Station Line movement in the Iranian patterns [Volume 3, Issue 46, 2011, Pages 15-22]
  • Islamic Architecture Evolution, Historical Study and Classification of Underglaze-Painted Tiles in Iran [Volume 3, Issue 46, 2011, Pages 35-46]
  • Ismail Jalayer Paradaz or stripple technique in Persian painting [Volume 3, Issue 45, 2011, Pages 5-12]
M
  • Minimalism Semiotics, Aesthetics and Functionality in Product Design with Emotional Minimalism Approach [Volume 3, Issue 45, 2011, Pages 71-78]
  • Mitra The Study of Sun Image on Iranian Ceramic Dishes [Volume 3, Issue 46, 2011, Pages 23-34]
  • Movement Station Line movement in the Iranian patterns [Volume 3, Issue 46, 2011, Pages 15-22]
  • Muhammad Yusuf Qarajaghay Khan Shahnama [Volume 3, Issue 45, 2011, Pages 13-22]
N
  • Naqsh-e Rustam Historical and Mythological Contexts in the Visual Foundations of Sassanid Reliefs (Case Study: Ardashir Babakan Relief in Naqsh-e Rustam) [Volume 3, Issue 46, 2011, Pages 55-66]
  • Narration Analyzing The Narrative Structure Of “The Death Of Zahhak” ;A Persian Painting; According to Greimas’s Actantial Model. [Volume 3, Issue 45, 2011, Pages 23-34]
  • National Unconsciousness Station Line movement in the Iranian patterns [Volume 3, Issue 46, 2011, Pages 15-22]
P
  • Pardaz Paradaz or stripple technique in Persian painting [Volume 3, Issue 45, 2011, Pages 5-12]
  • Parthian Textile Comparative and Laboratory Study of the Parthian – Sassanid textile fragment, from Moghadam Museum of University of Tehran [Volume 3, Issue 45, 2011, Pages 35-44]
  • Point of view Relationship between variations of “Point of view” and modification of message in visual arts [Volume 3, Issue 46, 2011, Pages 5-14]
  • Polonaise Iranian Carpets with non Iranian names [Volume 3, Issue 45, 2011, Pages 45-52]
  • Portuguese Iranian Carpets with non Iranian names [Volume 3, Issue 45, 2011, Pages 45-52]
Q
R
  • Rashida Shahnama Paradaz or stripple technique in Persian painting [Volume 3, Issue 45, 2011, Pages 5-12]
  • Rashida Shahnama Qarajaghay Khan Shahnama [Volume 3, Issue 45, 2011, Pages 13-22]
  • Ritual Worship of the Sun The Study of Sun Image on Iranian Ceramic Dishes [Volume 3, Issue 46, 2011, Pages 23-34]
S
  • Salting Iranian Carpets with non Iranian names [Volume 3, Issue 45, 2011, Pages 45-52]
  • Sangueszko Iranian Carpets with non Iranian names [Volume 3, Issue 45, 2011, Pages 45-52]
  • Sassanid Textile Comparative and Laboratory Study of the Parthian – Sassanid textile fragment, from Moghadam Museum of University of Tehran [Volume 3, Issue 45, 2011, Pages 35-44]
  • Sassanid Textiles Diba-ye-Shushtary through writings (Origins, production centers, patterns and their usage) [Volume 3, Issue 45, 2011, Pages 53-62]
  • Scenario based design Design based on Emotional Approach Case Study: Designing a device for entertainment [Volume 3, Issue 46, 2011, Pages 67-74]
  • SEM Analysis Comparative and Laboratory Study of the Parthian – Sassanid textile fragment, from Moghadam Museum of University of Tehran [Volume 3, Issue 45, 2011, Pages 35-44]
  • Semiotics Analyzing The Narrative Structure Of “The Death Of Zahhak” ;A Persian Painting; According to Greimas’s Actantial Model. [Volume 3, Issue 45, 2011, Pages 23-34]
  • Shushtar Diba-ye-Shushtary through writings (Origins, production centers, patterns and their usage) [Volume 3, Issue 45, 2011, Pages 53-62]
  • Sketch EFFECT OF SKETCH IN DESIGN PROCESS [Volume 3, Issue 46, 2011, Pages 75-85]
  • Soltan Mohammad Analyzing The Narrative Structure Of “The Death Of Zahhak” ;A Persian Painting; According to Greimas’s Actantial Model. [Volume 3, Issue 45, 2011, Pages 23-34]
  • Stippling Paradaz or stripple technique in Persian painting [Volume 3, Issue 45, 2011, Pages 5-12]
  • Structure Qarajaghay Khan Shahnama [Volume 3, Issue 45, 2011, Pages 13-22]
  • Structure-Motifs Composition THE HUMANE FIGURES ON THE BOUID’s & SALJUK’s SILK FABRICS [Volume 3, Issue 46, 2011, Pages 47-54]
  • Sun Image The Study of Sun Image on Iranian Ceramic Dishes [Volume 3, Issue 46, 2011, Pages 23-34]
  • Symbolic Designs THE HUMANE FIGURES ON THE BOUID’s & SALJUK’s SILK FABRICS [Volume 3, Issue 46, 2011, Pages 47-54]
T
  • Textile Pattern Diba-ye-Shushtary through writings (Origins, production centers, patterns and their usage) [Volume 3, Issue 45, 2011, Pages 53-62]
  • Textile Weaving Diba-ye-Shushtary through writings (Origins, production centers, patterns and their usage) [Volume 3, Issue 45, 2011, Pages 53-62]
  • The Actantial Model Analyzing The Narrative Structure Of “The Death Of Zahhak” ;A Persian Painting; According to Greimas’s Actantial Model. [Volume 3, Issue 45, 2011, Pages 23-34]
  • Tilework Evolution, Historical Study and Classification of Underglaze-Painted Tiles in Iran [Volume 3, Issue 46, 2011, Pages 35-46]
V
  • Visual Reasoning EFFECT OF SKETCH IN DESIGN PROCESS [Volume 3, Issue 46, 2011, Pages 75-85]
  • Visual Trait Relationship between variations of “Point of view” and modification of message in visual arts [Volume 3, Issue 46, 2011, Pages 5-14]
W
  • Weave Technique Comparative and Laboratory Study of the Parthian – Sassanid textile fragment, from Moghadam Museum of University of Tehran [Volume 3, Issue 45, 2011, Pages 35-44]