Journal of Fine Arts: Visual Arts

Journal of Fine Arts: Visual Arts

The Journal of Fine Arts: Visual Arts is a double-blind peer-reviewed, open access, quarterly journal that publishes theoretical and empirical research on all aspects of visual arts. Its aim is to publish the results of research and scientific experiences in the field of visual arts, with a particular focus on Iranian Islamic arts. The journal seeks to promote and enhance research, as well as deepen theoretical and practical studies in this field. It emphasizes the significance of these fields both theoretically and practically, and encourages philosophical reflections on their nature. Additionally, it highlights the role of visual arts in advancing education in Iranian society. Submitted papers will be published after undergoing a special review process and receiving approval from the editorial board. Honar-Ha-ye-Ziba was originally published in 1995 to cover all aspects of art, but was divided into three journals in 2009. The Journal of Honar-Ha-ye-Ziba: Honar-ha-ye Tajasomi focuses on performing arts and music. Professors and researchers can visit the website directly to register, submit papers, and follow author guidelines.

Email: fineartj@ut.ac.ir

Journal Title: Journal of Fine Arts: Visual Arts

Country of Publication: Iran, Tehran.

Publisher: University of Tehran

Subject Area: theoretically and empirically research on all facets of visual arts. Research and scientific experiences in the field of visual arts. It aims to promote and improve research, as well as deepen theoretical and practical studies in this field, particularly in Iranian Islamic arts.

Format: Print and Online

Print ISSN: 2228-6039

Online ISSN: 2538-5178

Frequency: Quarterly

Language: Persian, including extended English abstracts and bibliographies

Open Access: Yes, free access to articles

Article types: Research and review papers

 • Primary Review: 10 days, approximately

Peer Review Policy: Double-blind peer-review

Average refereeing time: 9 weeks

Acceptance percentage: 20%

Article Processing Charges: No

Citation Style: The APA referencing style

Website: https://jfava.ut.ac.ir

E-mail: fineartj@ut.ac.ir

Tel: +98-2161112930

Indexing & Abstracting: EBSCO, E-LIS Eprints, SID, Noormags, Magiran, Iran Journals, Google Scholar, Academia, Linkedin, Researchgate, etc.

COPE: Journal of Fine Arts: Visual Arts follows the policies and guidelines of the Committee on Publication Ethics (COPE) and abides by its Code of Conduct in dealing with potential cases of misconduct.

Copyright: Authors retain unrestricted copyrights and publishing rights.

Type of License: CC BY-NC - Creative Commons.

Riquired files to be uploaded: Five essential files must be submitted through the manuscript submission system: 1. the main file of the manuscript (without the names of the authors), 2. Title page in the mentioned format, 3. Authorship form (must include the title of the article and the name and surname of all authors and be signed by all authors), 4. Conflicts of Interest form (must be signed by the Corresponding Author and uploaded with the article file), and 5. Cover letter.

Journal Address: College of Fine Arts, University of Tehran, Tehran, Iran.

. Tel/Fax: +98-2166415282

                           

 

Current Issue: Volume 31, Issue 2, Spring 2026 

Publication Information

Indexing and Abstracting

Keywords Cloud

  • Painting
  • Industrial design
  • Islamic art
  • calligraphy
  • Product Design
  • Art
  • Aesthetics
  • Persian painting
  • Semiotics
  • Qajar
  • Illustration
  • Photography
  • contemporary art
  • Iranian painting
  • Audience
  • Emotional design
  • iconography
  • Identity
  • design
  • Design Thinking
  • Graphic Design
  • Culture
  • Form
  • Pottery
  • phenomenology
  • Kansei engineering
  • Aesthetic
  • Interpretation
  • Representation
  • inscription
  • motifs
  • geometry
  • symbol
  • Creativity
  • Safavid period
  • interactive art
  • Safavid Era
  • Miniature
  • Mythology
  • sculpture
  • Iconology
  • myth
  • visual communication
  • Archetype
  • orientalism
  • architectural decorations
  • Art criticism
  • logo
  • connotation
  • Jean Baudrillard
  • Intertextuality
  • tombstone
  • beauty
  • Modernity
  • Iranian art
  • Meaning
  • product
  • critical discourse analysis
  • Sexuality
  • gestalt
  • Grotesque
  • Ali Ashraf
  • Safavid
  • illumination
  • aesthetic experience
  • Manuscript
  • Image
  • Yazd
  • Mural Painting
  • Pattern
  • Qajar Period
  • Designs
  • Photo
  • Color
  • Postmodern
  • Perspective
  • Seljuk period
  • Merleau-Ponty
  • Visuality
  • Kashan
  • Visual Arts
  • politics
  • semiotic
  • Gadamer
  • Narratology
  • Murals
  • literature
  • Isfahan school
  • sublime
  • Persian Calligraphy
  • User-Centered Design
  • Typology
  • Graphic
  • Ilkhanid
  • Christian art
  • lithography
  • Transtextuality
  • Islamic calligraphy
  • Space
  • Realism
  • decorations
  • figurative art
  • formalism
  • Tilework
  • Architectural Decoration
  • Hypertextuality
  • imagination
  • Gerard Genette
  • Tiraz
  • embodiment
  • style
  • animal motifs
  • Morphology
  • Typography
  • China
  • Mikhail Bakhtin
  • Reza Abbasi
  • Media
  • Photograph
  • Sustainable Design
  • Light
  • Interaction Design
  • Composition
  • artist
  • Hermeneutics
  • Hermeneutic
  • Decorative Motifs
  • artwork
  • Relief
  • Language
  • Minimalism
  • Recognition
  • Structure
  • Harpy
  • Graphology
  • Kant
  • Lacquer
  • Picture
  • Self-portrait
  • Globalization
  • Persian Miniature Painting
  • Luster Glaze
  • Decoration
  • Graphics
  • Heidegger
  • subject
  • denotation
  • Design Methodology
  • TRIZ
  • drama
  • visual perception
  • Sasanians
  • Kandinsky
  • Ascension
  • Deconstruction
  • Permission
  • lovers
  • wall paintings
  • Hologram
  • carpet
  • Kingship
  • Piet Mondrian
  • Fine arts
  • Design Studies
  • appropriation
  • Collective unconscious
  • Social Action
  • Achaemenid Art
  • Meaninglessness
  • Critical Theory
  • philosophy
  • Shah Abbas I
  • furniture
  • Sedan cars
  • Qajar photography
  • Industrial Products
  • Logos
  • Shahnama
  • drawing
  • Fantasy
  • Nastaliq
  • Poster
  • Muhammad Baqir
  • Sassanid
  • Allegorical mythology
  • Islamic Arts
  • Concept
  • QFD
  • Functions
  • Gérard Genette
  • pop art
  • Social semiotics
  • Clive Bell
  • Movement
  • Zand era
  • Causal Layered Analysis
  • Affordance
  • Objective
  • scientific illustration
  • Architecture