جاوید صباغیان، مقداد، حسنائی، محمد رضا(1392)، بازی رایانه‌ای در مقام متن هنری بررسی و تحلیل وضعیت مواجهه با بازیهای رایانه‌ای به مثابه آثار هنری، هنرهای زیبا هنرهای نمایشی، 17،2، 69صص-77.
ساکالوفسکی،رابرت(1384)، درآمدی بر پدیدارشناسی، ترجمه محمدرضا قربانی، گام نو، تهران.
لوپز، دومنیک (1397)،
فلسفه هنر رایانه ای، ترجمه عرفان قادری، ققنوس، تهران.
Biocca, F. (1997), The cyborg's dilemma: Progressive embodiment in virtual environments, Journal of computer-mediated communication, 3,2, 1-29;
Black, D. (2017), Why can I see my avatar? embodied visual engagement in the third-person video game, Games and culture, 12,2, 179-199.
Boellstorff, T. (2008), Coming of age in Second Life: An anthropologist explores the virtually human, Princeton University Press, Princeton, New Jersey, USA.
Cleland, K. (2010), Prosthetic Bodies and Virtual Cyborgs, Second nature, 3, 74-101.
Crick, T. (2011), The game body: Toward a phenomenology of contemporary video gaming, Games and Culture, 6,3, 259-269.
Fernández-Vara, C. (2014), Introduction to game analysis, Routledge, New York, USA.
Heller, L., & Goodman, L. (2016), What do avatars want now? Posthuman embodiment and the technological sublime, In Virtual System & Multimedia (VSMM), 2016 22nd International Conference, IEEE, 1-4.
Juul, J., & Klevjer, R. (2016), Avatar, In The International Encyclopedia of Communication Theory and Philosophy, Wiley Publishing, Hoboken, New Jersey, USA, 1-5.
Kafai, Y. B., Fields, D. A., & Cook, M. S. (2010), Your second selves: Player-designed avatars, Games and culture, 5,1, 23-42.
Klevjer, R. (2012), Enter the avatar: The phenomenology of prosthetic telepresence in computer games, In The philosophy of computer games, Springer, Dordrecht, 17-38.
Liberati, N. (2016), Technology, phenomenology and the everyday world: A phenomenological analysis on how technologies mould our world, Human studies, 39,2, 189-216.
Merleau-Ponty, M., & Edie, M. (1964), The Primacy of Perception, Northwestern University Press, Evanston, Illinois, USA.
Merieau-Ponty, M. (1962), Phenomenology of Perception, Translated by Colin Smith, Routledge, New York, USA.
Newman, J. (2002), The myth of the ergodic videogame, Game studies, 2,1, 1-17.
Rehak, Bob. (2003), Playing at Being: Psychoanalysis and the Avatar, In The Video Game Theory Reader, edited by M. J. P. Wolf and B. Perron. Routledge, London, UK,103-129.
Robson, T., & Tavinor, G. (2018), The Aesthetics of Videogames, Routledge, New York, USA.
Sharp, J. (2014), Perspective, In The Routledge companion to video game studies Routledge, New York, USA,107-117.
Sobchack, V. (2004), Carnal thoughts: Embodiment and moving image culture, University of California Press, Berkeley, California, USA.
Taylor, T. L. (2002), Living digitally: Embodiment in virtual worlds, In The social life of avatars, Springer, London, 40-62.
Tavinor, G. (2009), The art of videogames, John Wiley & Sons, Hoboken, New Jersey, USA.
Salen, K., Tekinbaş, K. S., & Zimmerman, E. (2004), Rules of play: Game design fundamentals, MIT press, Cambridge, Massachusetts USA.
Van Looy, J., Courtois, C., De Vocht, M., & De Marez, L. (2012), Player identification in online games: Validation of a scale for measuring identification in MMOGs, Media Psychology, 15,2, 197-221.
Vasalou, A., & Joinson, A. N. (2009), Me, myself and I: The role of interactional context on self-presentation through avatars, Computers in human behavior, 25,2 510-520.
Wolf, M. J. (2012), Avatars, In Encyclopedia of video games: the culture, technology, and art of gaming (Vol. 1), ABC-CLIO, Santa Barbara, California, USA,60-62.
Wolf, M. J., & Perron, B. (Eds.). (2014), The Routledge companion to video game studies Routledge, New York, USA.
)