پژوهشی در سنگ‌نگاره‌‌های نهبندان، نمونه موردی سنگ‌نگاره نخلستان

Aris Tanudirjo, Daud ( 2004), Notes on Lewis-williams and Dowson's Neuroppsychological Model in Prehistoric Art Analyesis, Humaniora, Volume.16, no1 februari,1-9. Cheol-Su,Jo(2000), The Generation of Information and Pictogram and the Symbolic System of the Ulsan Rock Art", in: Proceedings and Discussions on Ulsan Rock Art, The Thirtieth Anniversary of UlsanRock Art Discovery, publisher: Choi,Jong-ryul, Seoul, 67-76. Cruz Berrocal, Maria( 2011), Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art Erschienen in: Norwegian Archaeological Review ;44,1-20. De Mecquenem,MM.R. Scheil,V( 1921), "Memoires Mission Archeologique de Perse", Empreintes de Cachets Elamites, par: L.Legrain. Tome .XVI, Paris. Devlet, Ekaterina( 2001), Rock art and the material culture of Siberian and Central Asian shamanism, In: The Archaeology of Shamanism, Edited by Neil S. Price, First published, London, 43-54. Francfort, Henri-Paul( 2001a), The Archaeology and the Prehistories of Shamanism in inner Asia, in : Hanri-Paul Francfort and Roberte N.Hamayon(eds), in collaboration with Paul Nahn , The Concept of Shamanism.Uses and Abuses, (Bibliotheca Shananistica,vol.10), Budapest,Akademiai ,243-276. Francfort, Henri-Paul( 2001b), Prehistoric Section: An Introduction, in : Hanri-Paul Francfort and Roberte N.Hamayon, in collaboration with Paul Nahn , The Concept of Shamanism.Uses and Abuses, (Bibliotheca Shananistica,vol.10), Budapest, Akademiai, 31-49. Francfort, H. P( 2001c), The archaeology of protohistoric Central Asia and the problems of identifying Indo-European and Uralic-speaking populations, In: Early Contacts between Uralic and Indo-European: Linguistic and Archaeological Considerations, (Mémoires de la Société Finno-Ougrienne, vol. 242), Chr. Carpelan, A. Parpola, et P. Koskikallio (Dir.), Helsinki, Suomalais-ugrilainen Seura,151-168. Francfort, Henri-Paul( 2013), The Bangudae Rock Art Panel: A Structural View, World Petroglyphs research I, Bangudae: Petroglyph Panels in Ulsan, Korea, in the context of World rock art, publishers, Ulsan, Séoul, Hollym, 99-110. Джафарзаде, И. М(1973), Гобустан наскальные изображения ССР, Институт истории, Bakihanova (Baku). Ghirshman,Roman( 1966), Tchoga Zanbil (Dur-Untash), Volume I, Librairie Orientaliste Paul Geuthner, Paris. Hoppal, Mihaly( 2013), Shamans and Symbols Prehistory of Semiotics in Rock Art, International Society for Shamanistic Research, Budapest. Joshua J. Mark( 2009), Mythology: Definition, Retrieved November 11, from Ancient History Encyclopedia: http://www.ancient.eu/mythology. Кадырбаев, М.К. Марьяшев,А.Н (1977), Наскальные изображения хребта Каратау, Алма-Ата. Konig, Ditte (1994), Zu den Tierdarstellungen auf den Felsen am Oberen Indus, in: Antiqities of Northern Pakistan, Edited by Gerard Fussman and Karl Jettma,Vol 3, 73-172. Котович В.М(1976), Древнейшие писаницы Горного Дагестана, Наука. Marshall, Sir John( 1973), Mohenjo-Daro and the Indus Civilization, Indological Book House .Delhi. Marshall. sir John( 1975), Taxila, vol.III(Plates), Publishing House, Bhartya. Miklashevich, E( 2003), Rock Art Research in North and Central Asia 1995–1999, In: P.G. Bahn – A. Fossati (eds.): Rock Art Studies News of the World 2. Oxford, 88–118. Muzzolini, Alfred( 1992), The Chariot Period of the Rock Art Chronology in the Sahara and the Maghreb: A Critical Reappraisal of the Traditional Views, in: Rock Art in the Old World, edited by Michel Lorblanchet, New Delhi, 9-32. Nandadeva, Bilinda D(1992), Rock Art of Sri Lanka, in: Rock Art in the Old World, edited by Michel Lorblanchet, New Delhi,337-348. Nasim Khan, Mohammad (1994), Rock Carvings & Inscriptions at Helor Das. Antiquities of Northern Pakistan: Reports and Studies, Collaboration with Ditte Konig, volume 3, 1995,201-211. Odak,Osaga(1992), "Kenya Rock Art Studies and the Need for a Discipline", in: Rock Art in the Old World, edited by Michel Lorblanchet, New Delhi,33-48. Schmidt, Bruno( 2001), Messages from the Past The Rock Art of Eastern and Southern Africa ,Stone Watch. Sharma, Savita( 2004), Symbols in Indian Art: An Overview, in: Indian Art and Aesthetics: Endeavours in Interpretation, Maruti Nandan Tiwari and Kamal Giri, Published by Aryan Books international, New Delhi, 89-97. Spalding, Alex(1998), Inuktitut: A multi-dialectal outline dictionary (with an Aivilingmiutaq base), Publisher: Nunavut Arctic College, Canada. Vahdati, A. A( 2011), Preliminary Report on a newly discovered Petroglyphic Complex near Jorbat, the Plain of Jajarm, Northeastern Iran, Paléorient, vol. 37, n°2,177-187. Wakankar, Vishnu S( 1992), Rock Painting in India, in: Rock Art in the Old World, edited by Michel Lorblanchet, New Delhi, 319-336. Winter,Irene J (1980), A Decorated Breastplate from Hasanlu Iran, Published by The University Museum University of Pennsylvania,USA. Шер, Я. А (1980), Петроглифы Средней и Центральной Азии, Москва.